The ‘grecs du roi’, an early Greek typeface hitting the streets

91_002The Association of European Printing Museums (AEPM) is holding its annual conference between 11 and 14 May 2017 in Chania, Greece. One of the speakers, Georgios Matthiopoulos from the Technological Educational Institute of Athens, will present a paper entitled “The Grecs du roi meet early Cretan literature in a Street Art performance throughout Crete: a school project”.

An article in a local newspaper from Chania drew my attention to the conference; that and the fact that I had a number of unknown concepts in the title of the paper! So, it seems that Matthiopoulos put together a project for school children, in which he wanted to combine an early Greek typeface (‘grecs du roi’), with early Cretan literature (the period of blossom: 16th-17th cent AD) and graffiti, the modern street art form.

The typeface ‘grecs du roi’ was designed by Claude Garamont himself, the famous Parisian punch-cutter who gave his name to a series of typefaces still used in our digital world (Garamond fonts). Garamont apparently designed by order of the French king in 1541 punches of Greek letters to be used in the printing of books in Greek. He followed models and instructions of the royal calligrapher Angelo Vergezio, who came originally from Crete. His effort was to imitate hand-writing of the time, which however contained a lot of ligatures and alternate ways of spelling words, as the cursive version of any script would. It seems that the result was an elegant, much admired although complicated font, which came to be known as ‘grecs du roi’.

garamond-grecs-du-roi

A 1550 edition of the New Testament printed by use of ‘grecs du roi’ (source: typolexikon.de)

Recent research suggested the possibility that Garamont was not in fact the inventor of the typeface, instead they had been developed already by his master, Antoine Augereau, who allegedly had a strong knowledge of Greek and a solid education; it seems that this education caused Augereau his life, because he was burnt together with his books as a heretic by the Inquisition in 1534.

Regardless of who invented what, the ‘grecs du roi’ is a beautiful typeface and very recognizable as evidence of Renaissance early typography. I assume this is what inspired Matthiopoulos to plan a project that brought together this specific typeface, early Cretan literature (the poem of Erotokritos, a famous 17th cent Cretan poem) and school children. The children were called in to paint stenciled graffiti on the streets of Chania, the Cretan city where the conference will take place shortly. The graffiti are verses from Erotokritos.

61_002

53

The Roman wooden tablets from the Bloomberg site in London

“Between 2010 and 2014, archeologists digging in London’s financial district, on the site of a new British headquarters for Bloomberg, made an astonishing discovery—a collection of more than four hundred wooden tablets, preserved in the muck of an underground river. The tablets, postcard-sized sheets of fir, spruce, and larch, dated mainly from a couple of decades after the Roman conquest of Britain, in A.D. 43, straddling the period, in the reign of Nero, when Boudica’s rebellion very nearly got rid of the occupation altogether.”

_89851850_89839629

Researchers believe this tablet is the earliest ever reference to London predating Tacitus’ mention of London in his Annals which were produced about 50 years later.
Dated AD 65/70-80, it reads “Londinio Mogontio” which translates to “‘In London, to Mogontius” (photo: BBC)

A volume on the tablets was recently (2016) published by Roger Tomlin, a Latin epigraphist. Epigraphers usually study texts carved in stone, where the writing follows certain conventions and is aimed to be legible, since it will be seen by many people. It is unusual to find texts of more private nature, and the Bloomberg tablets are just that: “They are, perhaps, reminiscent of the kind of communications that we, in the twenty-first century, might send by e-mail—functional, expedient, lacking in literary merit. There are notes of indebtedness, memos to merchants, and a reckoning of an account for beer.”

But besides the mundane content of these texts, their writing also escapes the norm of what official Roman inscriptions have gotten us used to: “While the lettering on Roman masonry is, for the most part, wonderfully regular, striding along in neat capitals, the tablets are written in cursive, which is wildly various in style and quality. Occasionally the writing is tidy and clear, but most often it is rushed, sloppy, fragmentary, and damaged, and can, to the uninitiated, even to one who knows Latin well, resemble not so much actual writing as a series of bewilderingly arbitrary strokes and curlicues.”

And a brief comment on how the tablets were used: “The wooden tablets were designed to be reusable; they were originally covered with a layer of wax, into which lettering was scratched with a stylus. But the wax has long since disappeared, and what is left are marks that the scribe inadvertently made by scratching right through it, onto the wood behind. To complicate matters, the tablets sometimes bear two or more layers of scratches, jostling and confusing each other. Thus Tomlin examines not traces but traces of traces. ”

The above excerpts all come from an interview Roger Tomlin gave recently for The New Yorker. Here (BBC) and here (The Guardian) you can see some more photos of tablets, of the site where they were found and the condition in which they were in during the excavation. This short video also shows the tablets and how they were treated and studied. The archaeological site was known from the 1950’s, when it had been partially excavated, and is known to have been in the heart of Roman London, but new excavations from 2010 onward were required before a new building for the news agency Bloomberg would be constructed. The ancient neighborhood also testified to a temple dedicated to the god Mithras, known as the London Mithraeum, which was excavated in 1954, dismantled and relocated, still visible today in the vicinity (Queen Vistoria Street).

Bloom

Over 700 artefacts from the Bloomberg excavation will be displayed in a public exhibition space that will sit within the new Bloomberg building, including the earliest-dated writing tablet from Britain. This tablet, as The Guardian notes, is “the earliest legal document and the earliest carrying a date from Roman Britain, was written on 8 January AD57, when Tibullus wrote promising to repay Gratus – both men described as freed slaves – 105 denarii, half a year’s pay for a Roman legionary, for goods delivered.”

The London Mithraeum exhibition is planned to open in autumn 2017.